This often resulted in unauthorised absences, poor punctuality, numerous detentions, and the dreaded call home. Despite this, Mia still managed to get the grades that were required of her. She was one of the handful that the school deemed ‘gifted and talented’, which meant that without much work or effort at all, Mia was a more than able student, and it showed. But despite having a knack for academia, she wasn’t much of an academic, instead choosing to coast through her education and underachieving for someone of her ability. She shook the thought from her mind and hurried to get herself ready for school. Her parents had already left for work, so it added more time onto her journey as she wasn’t going to get a ride. But having been lost in her thoughts, she was already close to running late. She opened her cupboard and stared in blankly, lost for a split second before reaching in and pulling out a black crewneck jumper and a pair of black jeans, before haphazardly throwing them on.. We went through a lot of trouble producing larges sets and complex scenes. Slow motion did not do that justice. A new approach was needed. ET: How did that happen? WS: Like most things, it was a team effort. Ira and Nathan were working through a scene frame by frame. They sent it off to our digital arts consultant in New Jersey. She sent back some frames with highlights and enlargements. From there it was not a big step to include that technique in the action. ET: When did you decide to drop the slow motion entirely. WS: The first time I saw what Ira and Nathan were doing. As a director, I was glad to dump the artificiality of slow motion. ET: Your original release date was in June. That was pushed back to Thanksgiving weekend. Why was that? WS: When we decided to rework the action sequences, the June release went out the window. We have some incredible tech people, but this was new and it took time. Fortunately, we acquired some new backing, which allowed us more flexibility. For a.
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