Like it, Joe began at the end of his heroine’s life and immediately arched back to the beginning, and had many arches within it. Studies had called Proust’s opus a cathedral with its arches, and Joe’s was similarly constructed. But inside there were other influences. Ulysses with its shifts in style reflective of content and theme. Having a play within it for instance. And it had some of the complete weirdness of Pynchon’s Gravity’s Rainbow. But it was like Proust in being one long look back at a life. Joe thought of it as a sort of Curriculum Vitae. Not intended to get a job of course. But to make the case that the woman had a life of significance. That her life made a difference in the world. And he decided to call it Vitae because of that.And what made her case? It was the first time in a novel that Joe expressed his philosophy of love and relationships. Of honesty and trust which allowed multiple lovers who could have other lovers as well. It was the root struggle of her life,. It was still hanging on, more due to Byron, her husband. Infinitely patient, he would tolerate her necessary absences and sooth her when things went sour. Lately, she had been less than cordial with him. The weight of the job and its seemingly endless problems made her cranky and Byron was forced to absorb it. When did the job become more important than Byron? Strangely, it was when she began to lose faith. The less she trusted her work, the more important it became. A weird inverse relationship had developed and she was being sucked into its vortex. She felt wasted. Useless. When was the last time she ravished Byron for the sake of love? She had trouble liking herself anymore. There was a knock on the door that woke her from her thoughts. More problems she thought. ‘Come in,’ she called out. Sam entered, his red hair hiding his age as usual. It gave him a whimsical look that belied his attention to detail. He was holding an opened postal package. Everything was opened nowadays..
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