Now I realize that I already did.One other reason I'm taking so much time on this painting is that it needsto be special because it is a gift. Tara can refuse to take cash, but shecan't refuse a gift. Each year we celebrate her "re-birthday", theanniversary of her GRS. This is her fifth year, so I want my present to bespecial.After Tara arrived we headed over to my studio that adjoins the house. Taratakes a seat near a window with natural light streaming in. I sit in frontof my easel and start to mix paints. To be honest, she really doesn't needto be here. I'm working on her "hair" today. My style mixes photorealismand a surrealism. I always paint the subject's face photorealistic whileperipheral elements might be more fanciful. This is one of the reasons Tarahasn't ever been recognized even after photos of my paintings of her haveappeared in print and online.I've never painted her real hair or her body. In real life, Tara works infashion and does some runway modeling. No one ever. The cold mountain air blew up and under her skirts as work worn hands pulled back the woollen material, exposing her white soft thighs to his hungry eyes. The material of her bodice was torn where moments before one of his colleagues had grasped it, ripping it from her full breasts. One nipple had popped out, rosy and pink, enticing in its fullness to their lustful gaze.Their growls of wanton lust pounded in her ears as she had felt long dirty nails pinching at her tender nub. Squeezing it, pulling it so it extended from her body. Feeling it being gripped between nail, twisted as they laughed at her screams. Large hands had tossed her like a rag doll onto the low bench, sending tankards of warm ale spewing across the sawdust-covered floor. Plates of half eaten food clattered, the growls of the tavern mongrels fighting over the tender morsels added to the cacophony of sounds.She could feel the fingers slide up between her thighs as she struggled against them. Her wrists grabbed,.
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