Then I leant back and started playing with his bum again he started to play with my cock but he didn't suck me I said to him you can suck me if you want he said he couldn't he had reflux I was disappointed I like my cock sucked then he laid back on my sofa cock and balls all on display well I love sucking cock so I lent over and started licking his balls then started sucking his cock again and it was lovely and hard and thick so I thought I would try something so I slid of the sofa so my ass was in the air just right for fucking and started sucking his cock then I took his cock out of my mouth and said can you see anywhere else you would like to put your cock he stroked my ass and he said later but its hard now he said later okwell with all the playing about he said what we doing for tea well I can cook if you want he said no can go for a takeaway oh and with the frolicking on the sofa I altered my blinds plus no one can see into my home we got dressed then went for a takeaway then. * * *I stop after this last description, having found a way to turn them intoan erotic story of sorts, albeit more literary than lewd.What I needed, of course, was a context that would make sense of thedescriptions, providing a reason for presenting them to the reader and asignificance for the descriptions themselves that goes beyond meredescription for its own sake. I found the solution in envisioningsomeone examining the photographs that I describe. The owner of acuriosity shop, he has come to a supplier to purchase post cards for hisstock. Each of the descriptions is of a post card that he considers,but, of course, this information is withheld from the reader (to maintainintrigue, if not suspense) until the end of the narrative. I will alsodelete the designations, "Image 1" through "Image 6," supplying, in theirplace, transitional sentences such as "He points out another image for meto consider," "I take another of the photographs in hand, to examine it,"or "He hands me the.
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