"Gwen cover the door and make sure no one gets out, I'm going for a snoop around as there's a lot of cover my side," I announced."Yes, my love," she replied.I moved as quietly as I could along the back wall of the warehouse, constantly monitoring the centre to see if I could spot any movement or targets. I did surmise that they were using their dead members as shields which against our arrows and bolts was a smart move, though I doubt it had protected them from the gunman in the office. Finally though I got lucky in that the angle I was at showed me part of the interior of the office and I could see someone crouched behind a tipped over filing cabinet scanning the boxes in the centre looking for targets. Raising my crossbow I dropped a bolt in and caressed the trigger. The silenced mechanism fired the bolt over the one hundred or so yards straight onto the target who chose at that moment to lean back and instead of the bolt taking him in his side missed him completely. I pressed the. Only the mostbrazen are firing up their bowls with the house lights up. I look around for the clump of young women I noted earlier,but they have faded into the mob. Probably in line for therestroom, think I, as I turn back to the stage. The roadies can be heard moving equipment around on thestage. An occasional glimpse of a roadie with a guitar or an ampcan be seen through the small gap in the curtain. We wait for about half an hour as the stage is reset forJethro Tull. The tension of anticipation is like a physicalthing filling the arena; I feel as if I could float on it. Then the house lights dim, and the tension boils away in theroar of the crowd. The arena is black as pitch, and the crowd has settled intoits final configuration, when the first notes of the piano introto "Locomotive Breath" push their way through the crowd noise. Afew of us recognize the song from the first few notes and cry outin joy and appreciation. Others don't realize what they.
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