Minu: Nisha, Bata phir kaise approach karna hai. Nisha: Ek kaam kar, jab aarav aa jaye to tu use lunch karana aur lunch ke waqt hi usse baat start karna ki ahana ke sath kya chal raha hai. Thodi pressure daalna ki wo batane ko majboor ho jaye. Main tab tak yahin room mein hi rahungi. Phir jab baat flow mein aa jaye to mujhe bula lena. Phir humlog situation ke hisaab se aagey dekhenge.Kareeb 1 ghante baad aarav ghar aaya. As decided Maine uske liye lunch surve kiya, aur uske sath hi baith ke usse baatein karne lagi.Minu: Beta, kaisa tha tumhara din?Aarav: Good, mom. How was your day. Ghar mein bore to nahi ho rahin?Minu: Nahi, meri to yahi routine hai na, bore kya hona. Per main tujhse gussa hoon thoda.Aarav: Kyun mom, maine kya kiya?Minu: Maine tumse us din itna pucha ki kya hua hai, kyun tum udaas lag rahe ho. Phir bhi tumne mujhse kuch bhi share nahi kiya.Aarav: Mom, is baat ko leke gussa mat karo na. Aapko ko malum hi hai ki kuch baatein share karna muskil hota hai.Minu: Kaisi. In the shadows of the trees that border center field, I am already mounted on Bucephalus, named after Alexander the Great's war horse. Daddy is on my right, holding the as-yet unlighted flare. Stephanie is to my left, steadying Bucephalus, holding his bridle."And ACTION!" calls the director, metaphorically speaking, because all of this is being run by cues and, I might add, without rehearsal, so only God himself knew if it was going to go off without a hitch, and He wasn't talking.With an abrupt crash of cymbals, drums rum-tum-tumming, the band splits, the two halves swinging smoothly to form an aisle from center field toward the pitcher's mound with its ten foot pile of scrap wood and old furniture that is The Bonfire to Be.The drums fall silent. There's a breathless hush.A lone, muted trombone sounds the charge, the notes echoing across the field, a lonely, challenging sound!ta-da-ta-da-ta-da-ta-da-ta-daaaah!Carl! My pulse quickens.Silence, and then;Unmuted, brazen, all the trumpets.
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